•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
News
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
“Life is a Drama” compares life to a television series, viewing it not as something with a fixed conclusion, but as an ongoing process that must be continuously written. Even in moments that feel like repeated frustrations or standing still, the song encourages listeners to move forward, using the countless times they have already fallen and risen as proof of their strength. The lyrics were penned by Kim Eana. Her restrained language and use of "the aesthetics of empty space" meet the profound depth of Yim Jae-beum’s vocals, adding a calm yet weighty persuasiveness to the entire track. Lines such as “Don’t you send me goodbye / Don’t speak of the end,” “You’ve already overcome greater things than this,” “Life is just drama / You are the one writing it,” and “See the new path behind the collapsing wall” reflect on the moments when one chose to rise again instead of disappearing when faced with a crumbling wall. Based on faith in oneself—having already survived greater trials—the song delivers a calm but clear message that paths will open again despite setbacks and repetition. Ultimately, it serves as a reminder that the person who decides the direction of a life is the very subject living it.
Ode to Love Songs: Lyricist Park Chang-hak Songbook Project marks the 35th anniversary of legendary producer Park Chang-hak by remaking his iconic lyrics. The fourth single, "Silly Love," remakes a 2002 drama soundtrack. Featuring Park’s signature restrained lyricism, this jazz-style rendition is arranged by music director Byeon Dong-wook and voiced by singer-songwriter Kim Pomme. The project features a diverse global lineup, including Brazilian masters Celso Fonseca and Cesar Machado, alongside artists like Lee Hyori and Lee Sang-soon. This ambitious collaboration will continue to release through subsequent singles and a full-length album, celebrating Park’s enduring musical legacy.
Love always begins in beautiful hues, yet its end often reveals a form of corruption, stained with grime. This album is a chronicle written in the language of "color," tracing a journey from the ruin and destruction born of misplaced love to the eventual realization and atonement found within that wreckage. The one who firmly believes only their own color is the "correct" answer repeats the same fatal errors: manipulating others in the name of love, eroding relationships through jealousy and possessiveness, and cold-heartedly judging another’s kindness and emotions upon a defiled altar. Ultimately, they are met with nothing but illusory disappointment and the very wounds they inflicted upon those who were different from them. Then, at a certain moment—at the deepest, darkest end of the ocean—one finally comes face-to-face with the true essence of love. It is not a love that places the self at the center, but a love that sacrifices oneself to protect the life and dreams of the other. It is the kind of heart that prays for another’s dreams to be guarded, even when standing at the threshold of death. This album is a meticulous record of that long and cruel journey—the moments where colors bleed into one another, crumble, and are finally born anew.
The group name THE SSYNDROME (더씬드롬) combines 'Share' and 'Syndrome,' meaning 'sharing a syndrome together.' The band aims to convey comfort by exploring inner worries and emotions through their unique worldview and music. THE SSYNDROME is a new five-member boy band featuring Seok Junho (Keyboard, Vocal), Yang Heegyo (Guitar, Vocal), Do Mingyu (Bass), Jung Jiyoung (Drums), and Shinsei (Guitar). They record the anxieties, comforts, and moments of resilience we face in life. They aspire for their personal music to create an expanding 'syndrome of empathy' among listeners. Their first syndrome is the Digital Single ‘ALIVE,’ an alternative rock track that carries their core message: "The Syndrome is awakening now, Take off and fly." The song powerfully expresses the desire to fully accept oneself and soar with dignity. The track's appeal comes from the powerful drums, cool guitar riffs, and THE SSYNDROME’s distinct vocals and performance. 'ALIVE' captures the band's energy as they take their first step and directly conveys their message of 'soaring.' With this pre-debut single, THE SSYNDROME reaches out to listeners to share their new musical world.
Blue.D is preparing to open a new chapter by resuming full-scale activities with her latest single, which is being released approximately one year after her last. She plans to meet with fans through various promotions for this single. Previously noted as a rookie with a unique vocal tone, who gained attention through numerous featuring collaborations, she reveals a new musical spectrum through this release. With high-quality production, this single will once again engrave Blue.D's name in the music scene. Featuring a free-spirited and witty energy, much like a cat, the single will be the definitive signal announcing Blue.D's official comeback.
JUSTB's fifth EP [SNOW ANGEL] was produced by Creative Labs ‘808hertz®’ and Executive Producer O Kwon. Rising global hyperpop and alt-R&B artists like Forgotten Melodies, heyzuko!, Meiiny, and Pank contributed. JUSTB members were also heavily involved: GEONU (production), Bain (visuals), SANGWOO & LIM JIMIN (choreography), and DY (composition). The album presents a new sensory world, clashing K-pop's refined sensibility with hyperpop's digital chaos—balancing distorted synths and metallic drums with crystal-clear melodies. It aims to break K-pop formulas, revealing real emotion amidst noise by reinterpreting hyperpop's aesthetic. [SNOW ANGEL] tells a story of conflicting emotions—warmth/cold, love/loss, human/digital.
Jessi's "Newsflash" is an unapologetic and fiery anthem of independence and self-affirmation. The song frames her return to the public eye ("Guess who's back") as a major media event, positioning her as the center of the "spotlight" and "makin' headlines" simply by living her life. The track operates as a bold declaration of autonomy, especially with lines like "Walkin’ out of the deal / With a new bag," suggesting a triumphant exit from a previous situation. Lyrically, "Newsflash" blends general defiance against public scrutiny ("I don't read what they type") with a pointed, confrontational diss. She dismisses the "hype" and media chatter while directly targeting a "grown man acting like a bitch," warning that "karma won't miss you." Ultimately, the song is a powerful statement of resilience and empowerment. Jessi reclaims her narrative, turning "his story to her-story," reinforcing her status as the "UNNI" and the "real deal," and concluding with a confident shout-out to her fans ("Jebbies").
Lee Juck offers his signature vocals for "Le Solitudinaire," the first OST for JTBC's "The Story of Mr. Kim." The track serves as the main theme, featuring lyrics by Lee Juck and composition by Jung Jae-hyung. It attempts an interesting contrast, pairing somber lyrics about wandering with a bright, waltz-like arrangement intended to feel dreamy. The song builds predictably from acoustic guitar to fuller orchestration. While Lee Juck's performance is as emotive and professional as expected, the overall result feels like a standard, by-the-numbers K-drama ballad. It's pleasant and adequately supports the show, but likely won't be particularly memorable.
The collaboration <HYPERDRIVE> between Poppin Hyun Joon and IN&CHOO unfortunately falls short of expectations. Despite aiming for a masculine, rough K-pop sound, the track feels somewhat generic and doesn't quite capture the intended edginess. The attempt to fuse trendy idol-style music with powerful popping performance feels awkward; the elements seem disconnected rather than synergistic. Neither the electronic vocals nor the popping truly gets a chance to shine, resulting in a track that relies more on the artists' reputations than on compelling musicality. For K-pop fans seeking something impactful, <HYPERDRIVE> might lack the necessary originality and cohesion.
"Picture Book with Songs" is a project blending sweet melodies with storybook-like visuals, presenting each track as a page exploring love, memory, and longing – a 'Music Book Cinema' series. Its second page, "Want to Hate You and Pretend Not to Know You," draws inspiration from 'Beauty and the Beast'. It delicately portrays the complex emotions between love and separation, exploring the irony of deep love causing deeper scars, yet leaving an unforgettable affection. Built on a lyrical piano melody and emotive vocals, the song immerses listeners in a scene of parting, leaving a lonely yet beautiful, lingering resonance.